Previous Works

Our passion for creating high quality theatre fuels our approach to wellbeing.

Our industry experiences help us to understand how tricky it can be to look after yourself as a creative.

Below are examples of a few things we’re proud to have created in the past. You can read more about Rosanna’s journey as a creative in her biography.

Canvas Theatre presents…

 

The Coastguard’s Daughter

Inspired by a true story, this poetic and playful production celebrated and lamented what it is to live by the laws of the sea – the bravery, spirit and musical soul of a community living by the push and pull of the tide.

Set in 1915, a Head Coastguard and his crew enlist in World War 1, leaving the Coastguard’s wife and two teenage daughters to take on the mantle – undertaking the perilous, long watches over the boats and the bay, staying strong and lighting the way.

The project began with three sold out performances at Pentewan Church in April 2016 before returning in 2017 for an extensive tour across rural Cornwall, featuring different local choirs at each venue.

A compelling and beautiful piece of theatre.
— The Cornish Guardian
 

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The Star Child

Made in situ at the beautiful, historical Poly Cinema and Theatre in Falmouth, this piece of theatre was a collaboration with Cornish theatre maker and technical expert Ciaran Clarke using the latest technology in projection mapping to explore a new visual language on stage.

Exploring what makes a star – from astrophysics to the dazzling era of 1930s Hollywood (in which the piece was set) where the phrase to 'make you a star' informed the world of celebrity we know today.

There are some truly stunning moments here – the immersive sea of twinkling stars, animated opening credits cleverly manipulated by a real-life actor and a huge talking moon.
— Lee Trewhela, West Briton

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Scratch Nights

Events to showcase new writing and new talent in Cornwall.

We believe in the benefits of gathering creative minds together. Canvas Scratch Nights were a way to bring people together and provide a place where new collaborations could be formed.

Our flagship event took place at the Kneehigh Barns, Cornwall in 2015. The evening began with a gathering on the cliffs to take in the view, mingle and enjoy a drink while listening to local live music.

After an introduction to Canvas, the evening then progressed inside to share several pieces of new writing in various stages of development.

 

Canvas New Writing Network

A place where writers could connect with each other and the industry – sharing ideas and methods of practice.

Our interest in new voices and desire to encourage emerging talent led to the creation of this network.

‘For a long time I felt like I was hitting my head against a brick wall with it, and after the session I couldn’t wait to start work on it again. I would recommend these sessions to other writers and I would seek similar opportunities for all of my projects from now on.
— Kelvin Fawdrey

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Dramaturgy

A dramaturg helps a writer to find their distinctive voice within their work, making sure that that is communicated clearly through the script. 1-1 and small group workshops to develop new plays. Included workshops on 4 new plays supported by Hall for Cornwall Insight Programme in 2016.

‘I feel newly invigorated and keen to try out fresh ideas. Rosanna’s approach as a dramaturg was supportive, precise and open and helpful. I felt like my work was treated with appreciation and respect.’
— Jack Sanderson Thwaite

Other collaborations

 

The Crucible

Presented by Cube Theatre, Rosanna Elliott directed The Crucible at The Minack Theatre in September 2016. With a cast of 30 and production team of 10 this was a production of epic scale and big heart.

The Crucible at the Minack was the simply the best thing I’ve seen there.
— Jon Welch, Pipeline Theatre
 

Cider with Rosie

Nick Darke’s adaptation of Cider with Rosie was performed at The Minack in May 2015 with live music by The People's String Foundation.

Director Rosanna Elliott draws us into Lee’s world, painting pictures with people and perennials, and we don’t want to leave.
— Hall for Cornwall New Reviewer